| My teaching experience encompasses both studio classes and art history. On the college and post-graduate level, I have taught drawing, etching, and introduction to contemporary art, modern art history, and the history of Renaissance art. I have also trained museum lecturers and docents on the Internet as an art medium, and conducted training sessions on various software for colleagues in my workplace. I maintain an arbitrary timeline of history to track relationships of events and ideas as they arise in my teaching or other work. It will always be a work in progress. | |
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Kari E.
Steeves
212-740-8702 |
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| Areas of Professional Expertise | |
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Education |
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1999 |
MFA in Painting, Hunter College of the City University of New York |
| 1989 | BA in Humanities, Yale University, New Haven, Connecticut |
| 1998 | Exchange program, Glasgow School of Art, Scotland |
| 1984 | Certificat de language, Cours d'ete, Universite de Dijon, France |
| Awards and Affiliations | |
| June 1999 | Thomas Apicella Memorial Fund prize, Hunter College |
| Spring 1998 | Travel Grant, Hunter College |
| Fall 1988 | Weathervane First Prize for Drawing, Yale University |
| Member, College Art Association | |
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Professional Experience |
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| 2002-present | Instructor,
The Cooper Union for the Advancement of Science and Art, New York Teach Introduction to Contemporary Art, Art After World War II, and Art of the Renaissance for the Continuing Education Department. Course includes slide lectures, class discussions, readings, and excursions to galleries and museums. |
| 2001-present |
Web Consultant,
freelance |
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1999-present |
Writer
and Consultant,
interpretive materials and web projects, Whitney Museum of American
Art, New York |
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1997 |
Graduate Teaching
Assistant, Printmaking and Drawing,
Hunter College of the City University of New York |
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1996-99 |
Web Designer and Illustrator,
Blue Dingo Digital, New York |
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1993-1996 |
Presentation Designer, Grybauskas
Beatrice Advertising, New York |
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1989-1992 |
Curatorial/Research Assistant,
Whitney Museum of American Art, New York |
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Summer 1989 |
Intern, The Cloisters, The
Metropolitan Museum of Art, New York |
| Exhibitions | |
| October 2001 | Masque, The Albany Center Galleries, New York |
| September-October 2000 |
Book/Ends, The Albany Center Galleries, New York |
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April 2000 |
Martha Stewart Doesn't Live Here: Martyrdom and Transgression in 2000, Massashusetts College of Art and The Agency Online, Boston |
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October 1999 |
American Sentences, Union Hill Arts Building, Union City, New Jersey |
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May 1999 |
Master's Thesis Exhibition, Times Square Galleries, Hunter College, New York |
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February 1999 |
Gridworks, South County Art Association, Kingston, and Hera Gallery, Wakefield, Rhode Island |
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November 1998 |
Par Avion, Eleventh Floor Galleries, Hunter College, New York |
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February 1998 |
Solo Show and Participatory Performance, Gulp Galleri, internationally mobile gallery, Glasgow, Scotland |
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February 1998 |
Photo Essay Books, Eleventh Floor Galleries, Hunter College, New York |
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October 1997 |
No BIAS, Bennington, Vermont. Juror Beth Handler, Curatorial Assistant, Department of Painting and Sculpture, Museum of Modern Art, New York |
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Summer 1997 |
Halpert Biennial, The Catherine J. Smith Gallery, Appalachian State University, part of An Appalachian Summer Festival. Juror Mark Leach, Curator, Mint Museum of Art, Charlotte, NC |